In looking back at my work over the last year or so I realize that many of my pieces include curves, lots of curves. In attempting to do something new - to get a more contemporary, edgy look, with more bold, abstract designs I feel I need to discard the curves. My first series of plates for the Dec mentorship ended up again pretty curved, - discarding and attempting something new is not that easy.. We tend to fall back into the familiar. So small steps.
I also decided to use slips and print them on the pots using newspaper to get a more abstract design. This way in the transfer from paper to pot you get random events such as parts skipping, the paper wrinkling - giving a more spontaneous effect than if it was painted on.
The big problem however has been the glazing. Slips in electric I am familiar with but trying the same at cone 10 just does not work. The last pieces for the mentorship ended up a disaster once they were glazed. I tried 3 different blue slips, 2 rutile lips and three white glazes - unfortunately I did not write down which ones were used on what pot.