Well I got all the pots packed - the 4 plates were stacked and packed into a cloth bag for carry-on. It should fit under the seat, though I hope not to have too much walking as the pots are really heavy. I dread the Chicago airport - coming from Ottawa I am not used to these huge airports with miles of terminals.
After a delay due to bad weather at the Chicago end my plane arrived 2 hours late. Fortunately my fellow journey women, Ann and Marion had not given up on me and I was able to share the rental car with them to Center Street Clay.
It was a great to be back - some changes though with Kenyon replaced by the new resident Richard who has hair just like my son and in fact in profile looks just like him. It was amazing!
Steven got us all to work, unpacking our pots and getting them into the studio. Looking at his agenda sheet we saw we were in for a busy weekend! It was great to see Lindsay and Sarah again and to see all the progress that everyone had made in a year. Ann and Rob had been in the Oct 08 workshop so this was the first time that I had a chance to meet them and see their work.
After a great chili supper with corn salsa we talked about our pots. We had to number and price our pots and with a list take them up to the gallery. I priced my big wall plate higher than the appliqued vases even though in terms of work, vases take way more time. But plates sell at a higher price - as they are considered wall art and so people will pay more for them.
Friday morning we all got together in the studio to talk about our individual journeys while Kim set up the gallery with our pots. It was interesting to hear what everybody else had gotten out of their year long experience. I think we all felt that this had been a very worthwhile experience and it had definitely changed our work for the better. Steven remarked to me that he had looked at the pictures of my pots when I had applied and what a difference a year had made!
In the afternoon we gathered in the gallery for critiques. Here is my corner with some of my pots. I think that I reached part of my journey goals and that was to develop a more unified look, concentrating of form and design. However the other part to develop an appropriate palette for the forms - I think I still have a long ways to go.
I still need to improve my spraying - I need more control when changing colours and perhaps an airbrush would help. Also it always seemed to me that there was something not quite right with my fish plates and Steven felt that the fish looked like dead fish on sand - so I will try a blue version of the stony yellow on the fish area. The stony blue should be a more subdued blue than the blue ash.
I found that whenever I tried to use the blue ash the rivulets competed too much with the fish stamp and the design was lost. As well when the stamped design is done in a darker colour you also seem to lose it. An impression done in a lighter colour makes it stand out, especially when you have some contrasting color in the impression.
That evening we went to the national juried Clay3 (clay cubed) exhibition. Sarah, one of the journey participants had two of her pieces in the show. All pieces were exhibited in 1 foot plexiglass cubes and made for a very effective display. No iron speckled pots (my favorite!)in that show! My favorite was "Overlapped Bowl on Pedestal" - handbuilt and soda fired by Marcia Tami Paul. Some really great pieces and lots of new ideas. I liked the little cricket cages as something new. There was also a great talk by Mary Kay Botkins, who was the juror.
To be continued.
Hanging your life on clay.
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